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Rineke DIJKSTRA
International Scene artist in: 2000-2005: see criteria
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Primary concern which drives the artist to create Motor N°21
Analyzed by artistsprocesses.com
Experiencing the fragility of existence through its staging
Artists primarily driven by their interest in the ephemeral and the unstable dimension of existence. They seek to stage the fragile. (Francis ALŸS, Gabriel OROZCO)
Primary type of materialization characterizing the artist's works Means N°17
Analyzed by artistsprocesses.com
Moving image with documentary-style mise-en-scene
The artist mainly uses video to shoot an action or testimony in a manner suggesting the objectivity of the gaze directing the camera. (Sharon  LOCKHART, Eija-Liisa AHTILA)
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A list of artists with the same Motor as Rineke DIJKSTRA will appear here as soon as their Motor has been identified.
A list of artists with the same Means as Rineke DIJKSTRA will appear here as soon as their Means have been identified.
At least one scene and a Motor or a Means must be selected.
There is no artist within the selected scene(s) sharing the same Motor-Means as that of Rineke DIJKSTRA
A list of artists with the same Motor/Means pair as Rineke DIJKSTRA will appear here as soon as their Motor and their Means have been identified
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