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International Scene artist in: 2012-2017: see criteria

SLAVS AND TATARS
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Experiencing one’s existence by creating a socially engaged personal myth
Artists primarily driven by a desire to construct an identity for themselves by developing a personal myth imbued with political overtones — i.e., the myth they construct takes politics as its object and reveals the artist’s aspirations to change the system. (AI Weiwei, Shirin NESHAT)
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Contextual set that establishes a dreamlike relationship with the environment
The artist draws on the properties of the exhibition context and the properties of their actual creation in equal measure in order to erase the distinction between the two and designate the work as this set. (Philippe PARRENO, Darren ALMOND)
1987 | 2000 | 2003 | 2006 | 2009 | 2012 | 2015 | 2018 | 2021 |