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artists'processes
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SLAVS AND TATARS
International Scene artist in: 2012-2017: see criteria
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Primary concern which drives the artist to create Motor N°18
Analyzed by artistsprocesses.com
Experiencing one’s existence by creating a socially engaged personal myth
Artists primarily driven by a desire to construct an identity for themselves by developing a personal myth imbued with political overtones — i.e., the myth they construct takes politics as its object and reveals the artist’s aspirations to change the system. (AI Weiwei, Shirin NESHAT)
Primary type of materialization characterizing the artist's works Means N°2
Analyzed by artistsprocesses.com
Contextual set that establishes a dreamlike relationship with the environment
The artist draws on the properties of the exhibition context and the properties of their actual creation in equal measure in order to erase the distinction between the two and designate the work as this set. (Philippe PARRENO, Darren ALMOND)
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Other artists sharing the same Motor and Means

Other artists sharing the same Motor

Other artists sharing the same Means

A list of artists with the same Motor as SLAVS AND TATARS will appear here as soon as their Motor has been identified.
A list of artists with the same Means as SLAVS AND TATARS will appear here as soon as their Means have been identified.
At least one scene and a Motor or a Means must be selected.
There is no artist within the selected scene(s) sharing the same Motor-Means as that of SLAVS AND TATARS
A list of artists with the same Motor/Means pair as SLAVS AND TATARS will appear here as soon as their Motor and their Means have been identified
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